[Interview]

1) What are your ethics concerning design?

I am not sure if I have specific design ethics. All I can say is that I like to practice design in areas where it is not commonly used… In my case, it is for development work in Southeast Asia at the moment. Helping local communities and encourage them to develop a better understanding and appreciation for design in relationship to their local culture and practical needs.

2) What do you think the key role of a graphic designer is in society, environmental and sustainable design?

The role of a graphic designer (and designers in general) is to introduce new ideas while at the same time understanding real needs. A designer needs to increasingly understand his/her role in society, to help build better lives, and not just produce for the sake of producing something new. Design in my opinion should serve the people first, and make sure that it is not redundant. It should also inspire and influence in a positive direction.

3) And as a designer what do you think good graphic design can help bring social awareness, inspire, influence, and/or persuade the viewer to act on environmental issues.

It is difficult to change the way people behave and consume. But it is the responsibility of designers to work in ways that can benefit people and places as opposed to harm them. Too much design is currently used for commercial purposes and not enough in the field of development and sustainability. It is slowly changing. But designers also need to educate themselves on those bigger issues and work outside their own realm. Designers alone cannot change the world. Change is about collaborative effort across many disciplines.

Questions asked by a student from Sunderland, UK

[VisualDiary] George Town, Penang

By People / In Cities : Hong Kong

Hong Kong, the fast-paced metropolis, always seeking change and the new, chasing the glitz and glamour, may still be around, yet today, this stereotypical image of the city is counter-balanced by a growing number of creative practitioners who place culture and social value at the heart of their endeavours. It is interesting to observe how the local design industry is diversifying to lean closer to sustainable practices, perhaps in response to the overpowering notion of economic growth that is associated with the region. Design is business, but design in Hong Kong is also about shaping society and building upon meaningful layers of cultural legacy.

Read full article

Photo credits: Sali Sasaki / STAG HK

[Work in Progress]

A branding concept inspired by Chiang Mai, for Chiang Mai and products made in Chiang Mai.

[VisualDiary] Tiger Balm Gardens

[Interview] By People / In Cities : Phnom Penh


“The elements from the Angkor civilization still have a strong presence in Cambodian people’s everyday life. Even popular rock bands use traditional Khmer music! As a part of the daily environment of the people, the cultural heritage remains a constant source of inspiration for Cambodian artists nowadays. This extraordinary artistic base enables countless possibilities of creative development.”

Read more of my interview with Mirana from Artisans d’Angkor on culture360.org

[Visual Brainstorming]

[Note]

“You know, the dots, they are connecting… just like you said”

More recently I have been receiving thank you messages from my former students, or young people I have worked with. Perhaps there is nothing more touching to read than those genuine messages that come from the heart and provide me with the feeling that everything is possible. In the random sea of life, I often wonder why we meet the people we meet, if there is such a thing as coincidence. I think of those who have greatly inspired my life so far, and who give me strength. Now, it is my turn to throw the invisible guiding thread.

[Recent Pick] Tau and Upsilon

I recently stumbled upon this lampshade designed and made by Singapore-based Tau and Upsilon during an exhibition  in Sculpture Square. It is a linocut print of the Red Riding Hood. A nice addition to my new living space.

[CRAFTED] Fall in the Tropics

In a season-less tropical land, this is how autumn looks like.

[Sketch] Art + Crafts | branding project

Started work on a new branding project for a retail space dedicated to local crafts in Chiang Mai, Thailand. The inspiration is drawn from the natural environment of the region, the shapes found in nature, the idea of biodiversity and ecology. As most traditional crafts are derived  from the local natural environment, the brand will try to reflect and capture those core elements.

[Slides] It’s the Journey (not the destination) | IDW Sarawak 2012

There are many journeys in life. Long or short, familiar or unfamiliar, from home to work, from one city to a village, from one airport to another, and all that can be seen in between… Journeys are made of all the details, but they also form the larger picture of life.  I would like to tell designers to experience their work like a journey. To think of the process and not just the end result. To pick up from what they see in their surrounding environment, to make sense of things, and draw inspiration from both the ordinary and the extraordinary.

On the road or in the air, I always enjoy the travel spent before the destination. Those moments are important for reflection and observation.

Returning home can also be seized as an opportunity to understand where we come from. To leave and to return has always been an important way for me to understand the difference and the similarities between people and places. Having lived away from my home country Japan for most of my life, the journey home has taken on a stronger meaning over the years  (ride home on the expressway between Osaka and Kobe, pictured above.)

My journeys are most often focused on discovery/learning and meeting new people. The importance of sustaining human connections that can lead to inspiring ideas and collaborations motivates the work I do as a designer and as an observer. The magic of human encounters should never be taken for granted, we must deeply consider and cherish.

Along the journey, picking up unique objects that cannot be found elsewhere teaches me the importance of local crafts and design. Pieces that carry a story within them and are imbued with local culture, can add meaning to one’s life even in the most abstract of ways (jungle vine bag, pictured above.)

There are journeys in which old practices merge with the contemporary. Many good things can happen at such crossroads (Thai architecture firm using traditional crafts as a source of inspiration and technique for the creation of new designs, pictured above.)

Can designers draw new journeys for others? On the road less traveled, designers can make their contribution, and teach something about the value of creative thinking while at the same time learn about people’s needs, cultures and lifestyles (small branding solutions for locally made products, pictured above.)

Journeys are also about telling the stories behind the places, people, and products from different corners. Some of the most valuable things often remain invisible, they have many lessons to teach us. (online publication that promotes the locally-made, and community-based practices, pictured above and below)

I like to mention this story (above) to refer to the journey we share towards our common future. The path of globalisation and its uncertain destination. Do we have to travel on a highway? Shouldn’t we rather get off it and slow down? Speed brings many comforts but also makes the world feel less subtle. Walking speed is my recommendation.

Last but not least: the destination. Never exactly like it is imagined, the destination is the surprise holding new promises. It’s the door that opens up to new journeys. (4:00 AM sunrise in Hayama, Japan, unexpected burst of colours that woke me up and I rushed to capture the ephemeral moment on camera, pictured above)

[CRAFTED] Recent Picks

Collecting objects as part of the joys of traveling and wandering… Finding the unique, the surprising, the unexpected, or the precious adds much to my personal collection and memories. CRAFTED (my modest publication on Facebook) allows me to keep track of recent picks. Who knows how these could be later showcased… After collecting a hundred items, perhaps a publication or an exhibition could be envisaged.

1 + 4 : Baskets from Sarakraf Pavilion (Kuching, Malaysia)
2 + 9 : Products from Eco Plaza Green Lao, an airport shop supported by JICA that promotes eco-friendly craft products and is part of a Lao pilot-programme on tourism development (Vientiane, Laos)
3 + 6 : Colourful products from the Houey Hong Vocational Training Centre (Vientiane, Laos)
5 : Wallet from Sarakraf Pavilion
7 : Good luck charm from 東大寺 Tōdai-ji temple (Nara, Japan)
8 : Packaging from T’SHOP LAI a shop selling cosmetic products from Les Artisans Lao (Laos)
10 : White Monkey Holding Peach Balm (Thailand)

[VisualDiary] Singapore

A stroll along the small alleys between Duxton Hill and Keong Saik Road revealed unexpected corners and juxtapositions.

Another day, another place

I was in Kuching this month to speak at the ICOGRADA Design Week, co-organised by wREGA, the Malaysian graphic design association. My presentation was based on the idea of the ‘journey’, as there many such things in life. The hidden promises and the invisible connections. The warm feeling deep inside that keep me going. The dreams that I am chasing and the distance that separates me from them…