[CALL] Looking for participants to take part in the workshop on souvenir design that I am holding in George Town, Penang, on 15-16 June – Please submit your applications until 1 June by clicking here ! This opportunity is free of charge, so please help spread the word.
Initiated by KL-based Thinklab, MAKMAL© is a series of public forums about local culture and design in Malaysia.
The second product in the Necoco series, this is a collaboration with my cousin who works for Japanese haircare brand Moltobene. Now available at LOFT stores in Japan nationwide.
“The thing when you’re in Singapore is that it’s hard to distinguish a visitor from a local.” A friend of mine was visiting the other week and that was an observation she casually pointed out as we made our way through the crowds inside the MRT station. I then carefully looked at each and every other face passing by. Nothing surprising except perhaps, in my view, the strange level of homogeneity working paradoxically against the multicultural society that is Singapore.
Since my own relocation from Paris to Singapore 2 months ago, many people have mistaken me for a long-term resident, or even a Singaporean, which left me quite perplexed. Of course, the fact that I am Asian can lead to some confusion, however, in a different instance, in Japan, a Japanese person would rarely make such a mistake. In Korea, people immediately identify me as a Japanese person before I even open my mouth. So why this confusion in Singapore? Could it mean that a Singaporean identity cannot really be defined? Or that Singaporeans themselves do not have a real idea about their own identity? Ultimately, I would like to know if there is such a thing as being quintessentially Singaporean, and whether that can be captured in one word or one sentence. Perhaps just being here means that I belong here like million others who come from all corners of the world.
Watching people in Singapore makes me imagine all the different individual stories of where they came from, why they are here, and where they are going next. I feel that it is similar to sitting in an airport terminal where fragments of lives cross-over one hour after another. There is no sense of permanence in this city. I feel that everything comes and goes, whether they are people or places. Buildings are torn to leave space for new ones; people arrive, settle for a few years, then pack up and leave without a trace.
I took this picture near Teck Lim Road, on an ordinarily hot and humid afternoon. Before I took the photo, I stood by to look at the scene, and I could not tell if it was just rubbish to be collected the following morning. It seemed too carefully arranged to be rubbish, but the chairs were not in a condition to be used either. Was it some sort of deliberate installation to trigger people’s imagination? In any case, it was intriguing and unexpected in a city that controls its environment obsessively. The chairs were each completely different, but I could imagine people sitting on them. Different people, with different faces, and different backgrounds. People who speak different languages, eat different foods. Have different faiths and beliefs, different jobs, and different dreams for the future. To me, this picture reflects the way I currently see Singapore: an accidental mix and match of people who have to share the same space and somehow become part of a narrative written by the city. Singapore is a place, which seems to be chasing its own identity yet simultaneously, it has already defined itself as a global product, guided by the common patterns of economic development and international trade.
This article was originally published in The Design Society Journal No. 6, Representation.
I was invited to Wisnu Open Space in March to talk about craft, design, and the importance of local assets in a fast moving world. The response from the audience was warm and inspired. It made me realise how many of us are thinking similarly despite our differences, and it gave me confidence about our ability to build toward our common future.
“If you do not have the opportunity to travel, how can you still travel? This question was asked by one of my hosts Eko. And I have been thinking about it for a while. Now, after some time, my response to this question is “take a different road and something new will reveal itself.” We should never underestimate the journeys that lie in proximity, the ones that have been ignored for too long, and have yet to be discovered near our doorstep. I believe that there are many of those journeys embedded in everyday life, complementing those that are formed within our minds.
暑い冬に種をまき (atsui fuyu ni tane wo maki*)
* sowing seeds during a warm winter
© Sali Sasaki 2013
1) What are your ethics concerning design?
I am not sure if I have specific design ethics. All I can say is that I like to practice design in areas where it is not commonly used… In my case, it is for development work in Southeast Asia at the moment. Helping local communities and encourage them to develop a better understanding and appreciation for design in relationship to their local culture and practical needs.
2) What do you think the key role of a graphic designer is in society, environmental and sustainable design?
The role of a graphic designer (and designers in general) is to introduce new ideas while at the same time understanding real needs. A designer needs to increasingly understand his/her role in society, to help build better lives, and not just produce for the sake of producing something new. Design in my opinion should serve the people first, and make sure that it is not redundant. It should also inspire and influence in a positive direction.
3) And as a designer what do you think good graphic design can help bring social awareness, inspire, influence, and/or persuade the viewer to act on environmental issues.
It is difficult to change the way people behave and consume. But it is the responsibility of designers to work in ways that can benefit people and places as opposed to harm them. Too much design is currently used for commercial purposes and not enough in the field of development and sustainability. It is slowly changing. But designers also need to educate themselves on those bigger issues and work outside their own realm. Designers alone cannot change the world. Change is about collaborative effort across many disciplines.
Questions asked by a student from Sunderland, UK
Hong Kong, the fast-paced metropolis, always seeking change and the new, chasing the glitz and glamour, may still be around, yet today, this stereotypical image of the city is counter-balanced by a growing number of creative practitioners who place culture and social value at the heart of their endeavours. It is interesting to observe how the local design industry is diversifying to lean closer to sustainable practices, perhaps in response to the overpowering notion of economic growth that is associated with the region. Design is business, but design in Hong Kong is also about shaping society and building upon meaningful layers of cultural legacy.
Photo credits: Sali Sasaki / STAG HK
A branding concept inspired by Chiang Mai, for Chiang Mai and products made in Chiang Mai.
I recently stumbled upon this lampshade designed and made by Singapore-based Tau and Upsilon during an exhibition in Sculpture Square. It is a linocut print of the Red Riding Hood. A nice addition to my new living space.